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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

A CONVERSATION OF PEACE AND HARMONY

Here, Vinta Nanda tells the story of Shabnam Hashmi, one among the millions of people who have, over the last 75 years, built a secular, democr...

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A FERRIS WHEEL GOING AROUND

Humra  Quraishi questions the mindless lynching’s of Indian Muslims on mere suspicion of the carrying beef, althoug...

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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ALL ABOUT FRIENDSHIP

Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of...

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WE ARE SISTERS BORN

Humra  Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after t...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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Art of Lines & Commas

Khalid Mohamed in conversation with Ashok Namdeo Hinge, calligrapher, graphic designer and abstractionist, we...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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